Press:
2010 – Now

Studio view of the workshop of Philippe Vandenberg in Molenbeek, Brussels, 2008. © Wouter Cox

2018

  • “Schoonheid op bekoorlijke wijze belicht. De Warande brengt groepstentoonstelling over schoonheid.” H ART, 2018.

  • “Philippe Vandenberg’s Retrospective “Kamikaze” at Hamburger Kunsthalle.” www.blouinartinfo.com, August 23, 2018.

  • Laura Eggerickx, “L’alliance de l’art et de la solidarité.” www.lesoir.be, August 29, 2018.

  • Inge Schelstraete, “Kunst is geen bezwaar. Artiesten palmen oud gerechtsgebouw in met ‘I Object’.” www.destandaard.be, July 18, 2018.

  • Ton Kruse, “Veracht den burgerman, doch ledig zijne kruiken: Nieuwe Amsterdams Peil 2018.” Metropolis M 3 (2018).

  • “Te mooi om te zien. Het Gouden Paviljoen in de Warande.” DS Cultuur (De Standaard), April 10, 2018, 7.

  • Stijn Janssen, “Exponentieel goed.” Selectief (De Morgen) (Mai 2018), 38-39.

  • “Collecting Piffaretti: Why the Artist Delight These Luxembourg Collectors.” www.larryslist.com, May 10, 2018.

  • Hans Boffel, “Schone vernieling.” Knack, April 4, 2018, 88.

  • Silke Rochtus, “Dans van schoonheid en destructie. Het Gouden Paviljoen.” 100% Expo 22 (March 2018), 42-43.

2017

  • Barbara A. MacAdam, “Manic Modernist: Philippe Vandenberg Wrestled with Aesthetics and Self-Destruction.” www.artnews.com, September 1, 2017.

  • Barbara A. MacAdam, “Philippe Vandenberg.” The New Yorker, July 31, 2017, 14.

  • Katie Diamond Hamer, “Philippe Vandenberg, A Witness the World.” www.eyes-towards- the-dove.com, July 27, 2017.

  • Julia Von Pohle, “Köstlich, kryptisch, kafkaesk.” Die Welt online, July 21, 2017.

  • “Philippe Vandenberg at Hauser & Wirth, New York.” www.moussemagazine.it, July 18, 2017.

  • John Yat, “Philippe Vandenberg’s Urgent Testimony.” www.hyperallergic.com, July 16, 2017.

  • “Philippe Vandenberg.” www.artspeak.nyc, July 12, 2017.

  • Scott Indrisek, “The cult artist who demanded total freedom, whatever the cost.” Artsy, July 6, 2017.

  • Claude Lorent, “Le corps à l’oeuvre dans l’art actuel.” La Libre, July, 2017.

  • Muriel Zagha, “In the Name of the Father.” Elephant, Spring (2017), 192-199.

  • Sam De Wilde, “Hear Hier.” DS Magazine (De Standaard), March 25, 2017.

  • Koen Van Boxem, “Kunst als strijd tegen de onmacht.” De Tijd, March 13, 2017.

2016

  • Hili Perlson, “The Emotional Business of Managing an Artist’s Estate.” www.artnet.com, september 20, 2016.

  • Robert Shore, “Death: Just Another Phase of an Artists’ Career.” www.elephant.art, September 19, 2016.

  • Christiane Fricke, “Drehbuch für den posthumen Rhum.” Handelsblatt, August 26-August 28, 2016, 56.

  • Harriet Fitch Little, “An artistic afterlife.” Life & Arts (The Financial Times), August 27-August 28, 2016, 1-2.

  • Sabine B. Vogel, “Werfen Sie nichts weg.” Die Presse, August 7, 2016, 45.

  • Geert Sels, “Het sprak vanzelf dat ik voor hem zou zorgen. Met Hélène Vandenberghe in het atelier van haar vader.” De Standaard, June 13, 2006, 10-11.

  • “유럽 신표현주의 대표작가 필립 반덴버그 추상회화 아시아 첫 공개 캔버스를 매개로 외부의 지적 자극을  회화를 통해 구현한 아티스트”, Sport Seoul, April 24, 2016.

2015

  • Silvia Rottenberg, “Belgian art shines in playful, surreal exhibition.” www.buenosairesherald.com, August 8, 2015.

2014

  • Max Glaubner, “Philippe Vandenberg.” www.artforum.com, 2014.

  • “Exhibition at Hauser & Wirth Zürich presents the work of Belgian artist Philippe Vandenberg.” www.artdaily.com, September 9, 2014.

  • Eric Rinckhout, “Biennale van de schilderkunst.” De Morgen, June 21, 2014.

  • Olivier Cena, “La chronique d’Olivier Cena.” Télérama, March 1, 2014.

  • Céline Piettre, “Berlinde De Bruyckere et Philippe Vandenberg: duo magnifique à la Maison rouge, à Paris.” www.blouinartinfo.com, February 19, 2014

  • Bérénice Clerc, “La Maison Rouge, Asile de l’Art.” www.toutelaculture.com, February 16, 2014.

  • “Berlinde De Bruyckere & Philippe Vandenberg – Il me faut tout oublier – Maison Rouge.” www.artistikrezo.com, February 13, 2014.

  • André Balbo, “2 expositions à la Maison rouge: Berlinde de Bruyckere / Philippe Vandenberg, et Mathieu Pernot / Philippe Artières.” www.evous.fr, February 13, 2014.

  • Geoffrey Nabavian, “Les Vernissages de la Semaine du 6 février.” www.toutelaculture.com, February 6, 2014.

2013

  • Ludo Bekkers, “Baza(a)r België: De Belgische kunstgeschiedenis volgens Claude Blondeel.” Knack, June 27, 2013.

  • Sam Sherman,”Philippe Vandenberg. Hauser & Wirth.” Artforum, April, 2013, 269.

  • Ekaterina Rietz-Rakul and Steve Schepens, “The roar of the morning: Selected Works of Philippe Vandenberg at Hauser & Wirth London.” H ART, April 2013, 21.

  • Alexander Forbes, “Art Cologne Report: Bloody Text Art and High-Tech Portraiture Attract Interest.” www.blouinartinfo.com, April 19, 2013.

  • “First-class selection of Modern, Post-war and Contemporary Art at Art Cologne.” www.artdaily.com, April 19, 2013.

  • “Art Cologne exhibition opens its doors.” www.dw.de, April 19, 2013.

  • Coline Milliard, “Art Cologne Highlights: Neo Rauch, Georg Baselitz, Malevich, and More” www.blouinartinfo.com, April 18, 2013.

  • “Last chance closing this week. Philippe Vandenberg. Selected Works.” I, April 10, 2013.

  • “Philippe Vandenberg. Hauser & Wirth, London W1.” I, April 14, 2013.

  • Lisa McKendrick, “Philippe Vandenberg. Selected Works.” www.a-n.co.uk, February, 2013.

  • “Philippe Vandenberg at Hauser & Wirth.” Ama-Art Media Agency, February 25, 2013.

  • E.F., “Now Patience is flowering into death, 1980, 1990, 1999. Philippe Vandenberg.” Knack Focus, February 13, 2013, 53.

  • “Angleterre. Philippe Vandenberg – Peinture. Londres – Hauser & Wirth.” La Libre, February 8, 2013.

  • “Philippe Vandenberg: Selected Works.” www.londoncalling.com, January, 2013.

  • Eleanor MacFarlane, “Exhibition review: Philippe Vandenberg Hauser & Wirth.” www.theupcoming.co.uk, January 31, 2013.

  • Lucy Potter, “Philippe Vandenberg: Selected Works at Hauser & Wirth.” www.onestoparts.com, January 30, 2013.

  • “Philippe Vandenberg gets solo show in London” The Low Countries, January 30, 2013.

  • “Philippe Vandenberg in Londen.” www.kunsthart.org, January 24, 2013.

  • Eric Rinckhout, “Wijlen Philippe Vandenberg krijgt expo in Londen.” De Morgen, January 24, 2013.

  • “Randotiz 3.” Informationdienst Kunst, January 10, 2013.

2012

  • Christophe Van Eecke, “Berlinde De Bruyckere en Philippe Vandenberg.” De Leeswolf 7 (2012), 496-497.

  • “Was in de (kunst)praktijk.” VTT Contactpunt, October, 2012.

  • “Hart Special. Berlinde De Buyckere en Philippe Vandenberg in De Pont Tilburg.” H ART, October 18, 2012.

  • Frits De Coninck, “Zielsverwanten. Een ontmoeting tussen het werk van Berlinde de Bruyckere en Philippe Vandenberg.” Museumtijdschrift, September – October, 2012, 52-55.

  • “Intiem én in your face.” Feeling, September 2012, 170.

  • “Tilburg. Philippe Vandenberg & Berlinde De Bruyckere.” Origine, September, 2012, 94.

  • “Philippe Vandenberg & Berlinde De Bruyckere.” Excellent Magazine, September (2012), 177.

  • Tine Van De Weyer, “Innocence is precisely: never to avoid the worst.” Beelden, September (2012), 30.

  • “Berlinde De Bruyckere naar Biennale Venetië.” NRC Handelsblad, September 30, 2012, 17.

  • Bert Popelier, “Expo Tilburg. Vlaamse dialoog over lijden en dood.” De Tijd, August 4, 2012, 46.

  • “Philippe Vandenberg & Berlinde De Bruyckere in Museum De Pont. Innocence is precisely never to avoid the worst.” De T., July (2012).

  • Hilde Van Canneyt, “Interview met Helene Vandenberghe (dochter kunstenaar Philippe Vandenberg.” www.hildevancanneyt.blogspot.be, July 29, 2012.

  • Lucette Ter Borg, “De ellende van de dag in eigen bloed.” NRC Handelsblad, July 26, 2012, 15.

  • Marina De Vries, “Innocence is precisely: never to avoid the worst. Philippe Vandenberg & Berlinde De Bruyckere.” De Volkskrant, July 23, 2012, 30.

  • Marc Ruyters, “Berlinde De Bruyckere en Philippe Vandenberg in De Pont. Rauw, hees en teder.” H ART, July 12, 2012, 9.

  • Guy Duplat, “Beauté, souffrance, extase et consolation.” La Libre, July 7, 2012.

  • Gerrit Van Den Hoven, “Kijken in de afgrond van de menselijke geest.” Brabants Dagblad, July 6, 2012, 22.

  • Lieven Vanden Abeele, “Expo Berlinde De Bruyckere en Philippe Vandenberg in Tilburg. De tekening als litteken.” De Standaard, July 5, 2012, 4-5.

  • Guy Duplat, “Art Contemporain – Exposition. Beauté, souffrance, extase et consolation.” La Libre, June 30-July 1, 2012, 56-57.

  • Eric Rinckhout, “Doornen in het vlees.” De Morgen, June 30, 2012, 5.

pijl links
Press: 1970 – 2009