Drawing in Practice
On the occassion of the exhibition Philippe Vandenberg: Molenbeek that opens in September 2020 in BOZAR, the Philippe Vandenberg Foundation organises the research and workshop program Philippe Vandenberg: Drawing in Practice. During the program students will engage on a theoretical and a practical level with the draughtmanship of Philippe Vandenberg. Through workshops in the vicinity of his work, they are encouraged to question the place their draughtsmanship occupies in their practice as an artist under the supervision of specialist on the work of Vandenberg and artists.
Rencontres du film d’art : Kamikaze
Kamikaze is selected for the film festival Rencontres du film d’art in Saint-Gaudens, France. Directed by filmmakers Neel Cockx and Guillaume Vandenberghe, Kamikaze offers a dive into the life of the painter and the abyss of his artistic creation. One long shot glides over his works, belongings, sources of inspiration and memories. Archival footage that is projected on the way brings the painter back to his studio. Kamikaze was produced by Bart Van Langendonck of Savage Films.
From 22 March until 21 June, 2020, the group exhibition Hope will take place in the Draiflessen Collection, Mettingen, Germany. As the third exhibition in the Faith, Love, Hope trilogy, it takes a look at the concept of hope. The exhibition brings together expressions of religious and spiritual forms of hope with newer forms of hope that have risen to the fore through the secularization of Europe of the pas two centuries: promises of salvation through technological progress or political ideology. During the exhibition the work Over de berg loopt het spoor (The Track Runs Over the Mountain) by Philippe Vandenberg will be on view.
Drawing as Practice
The conference Drawing as Practice will take place on April 2, 2020 in the Royal Academy of Fine Arts of Antwerp, Belgium. The impetus for this conference came from an observation in the studios of the students of the Academy. Students from all domains question the place their draughtsmanship occupies in their practice as an artist, opposing the traditional diochtomy between drawing as an autonomous form of art and drawing as a preparatory tool for artistic investigation. With Drawing as Practice the Academy wants to initiate reflection on the status of the medium within contemporary art. The conference consists of a series of five lectures, followed by a seminar on the draughtsmanship of the Belgian artist Philippe Vandenberg. Drawing in Practice is an initiative of the Department of Drawing of the Royal Academy of Fine Arts of Antwerp and the Philippe Vandenberg Foundation.