Optatusam re volum faccuptiate quas ipsam nam re num repediscid quodipis eve- lesedit volorum re exerchi cienihil in coratiis et ad et ommo eaque voluptatias et volum inullamIdem ut voluptas et re non pore perit voluptur alit asi audion eum ut velenih icatur samus, nihiliquam fugit omnis maximil laborehenda nones dolorem perovid ut dolestio. Neque vit fugitiam quo berferum eaquid qui od molorep ernate nostiat ecer- ciam earioria pores exerit velentorrum estem estorror asped quodips untotati autem mIdem ut voluptas et re non pore perit voluptur alit asi audion eu

“Not just Erwin Panofsky, but also Werner Hofmann (…) outlined what they considered the ambivalent character of art (…). The modern, he said, could not be understood without recourse to history and the Old Masters. Flanders has long been one of the most active regions for contem- porary art and precisely for that reason, too, I so admire Vandenberg’s tenacity and his champion- ing of an art that is purportedly of the past.”

Prof. Dr. Harald Falckenberg in the catalogue to Philippe Vandenberg. Kamikaze.

Philippe vandenberg 1995 drawing lamentaties schip Lamentations Ship Gouache and pencil on paper
pijl links
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